FONTS: Personal Favourites

Last week, spoke about preferred fonts for accessibility re: websites. Also, she asked this question:

Do folks have favorite fonts?

She has her own goals in mind for the answers to that question, regarding accessibility, and she's been getting useful answers from her friendlist. For myself, selfishly, I do have a list of favourites. Many - most? - of these favourites have very little to do with such concerns. There's a lot of aesthetic considerations and a lot of personal nostalgia in play with my list. There is a certain amount of privilege - the privilege of being sighted all my life thus far - in my thinking here. This is selfish. Absolutely so.

That said, I am going to go into some detail about my own list of favoured fonts. In this entry, and probably others down the line.

I start with Space: 1999. That TV series in the mid-1970's created by Gerry and Sylvia Anderson was where I first started to care about typefaces, fonts, that sort of thing. Particularly the first season. Moonbase Alpha, the main backdrop of the series, doomed to wander the universe by an ill-placed nuclear waste dump turning a large chunk of our Moon into a giant fusion rocket...that place had a particular design aesthetic. Signage across the moonbase was in a font called "Countdown". Designed by Colin Brignall, I don't know how it reached the attention of Space: 1999's set designers and graphic designers.

He also designed Superstar, the font that Milton Glaser incorporated into the classic "Bullet" logo of DC Comics. So there's two.

Back to Space: 1999. The space suits were jumpsuits with the helmets, life support hardware, and so on worn over them. The life support hardware packs - front and back - were numbered. The numerals came from "Data 70". The packs labelled "1" were usually worn by Martin Landau in character as moonbase commander John Koenig when a scene would call for him to expect to do EVA work, and had that numeral inverted. Not sure why.

(There's apparently an argument over whether Data 70 is a knock-off of another font, Westminster. If you're interested, check this essay out.)

More to follow...